{"id":72704,"date":"2023-04-14T15:41:01","date_gmt":"2023-04-14T06:41:01","guid":{"rendered":"https:\/\/papersky.jp\/?p=72704"},"modified":"2023-04-14T16:01:33","modified_gmt":"2023-04-14T07:01:33","slug":"local-photographers-06","status":"publish","type":"post","link":"https:\/\/papersky.jp\/en\/local-photographers-06\/","title":{"rendered":"Shinya Rachi"},"content":{"rendered":"\n

\u2014 Tell us about the area you live in.<\/strong><\/p>\n\n\n\n

I live in the mountainous area of Shizuoka City, where the time passes slowly, and in the springtime, beautiful cherry blossoms stretch for hundreds of meters down the street out front. We get around mainly by car in Shizuoka, so I can choose to live wherever I like without worrying about access to public transportation. This was my first time living in the mountainous area, but with the expressway nearby, it\u2019s actually convenient for long-distance travel. I quite like it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u2014 We hear you were born and raised in Yaizu. What was it like there?<\/strong><\/p>\n\n\n\n

Yaizu is sandwiched between the mountain and the sea. My family lived right across the street from the beach and a short 30-minute drive to the slopes. When I was little, I took it for granted that we knew so many fishermen and always seemed to have whitebait and sakura shrimp in the fridge. Only after I was older did I actually realize fishing was a major industry of Yaizu. Since I grew up by the bay, I still get a boost of energy whenever I hang out at the beach.Lately, I visit Yaizu increasingly frequently for my nephew\u2019s baseball practice, and because I used to be a baseball kid myself, each visit is getting me to feel a stronger attachment to my home city.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u2014 As you go about your daily life, what do you feel is special about Shizuoka?<\/strong><\/p>\n\n\n\n

I\u2019d have to say the short distance to the mountain and the sea. To say the lush nature would be too simplistic. The beauty lies in the sense of closeness\u2014both the mountain and the sea are so effortlessly within reach. Considering how tempting it might be to settle for the digital experience today, it helps to know, if only in the subconscious, that the real thing is right around the corner.
Also, from a different point of view, I tend to use driftage in my in my recent exhibitions, so that\u2019s another reason to be grateful for the proximity of the beach.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u2014 Tell us about your work and your life at home.<\/strong><\/p>\n\n\n\n

I work mainly in product and architectural photography. For me, there\u2019s no real boundary between my work and life at home. My work involves a lot of editing, and I do that at home, so I try to maintain a comfortable view in my living space. I like setting time aside to admire the objects I love and clear my mind. The most important thing for me, in both my photographs and my living space, is a sense of balance. Whether an object or a situation, I coexist and interact with it, and keep balance, or try to at any rate, and along the way, explore it and discover something new\u2014that\u2019s my favorite moment. I show one or two exhibitions a year, and they\u2019re not so much photo exhibitions but presentations of a space with photographs, where I bring a whole encapsulation of all sorts of senses of balance. I enjoy building mutually good relationships with my work and life at home.<\/p>\n\n\n\n

\"\"
product photography(Playing table) | studioBOWL <\/figcaption><\/figure>\n\n\n\n
\"\"
sculpture photography | Kanto Iwamura \u3000\u3000\u3000\u3000Direct mail photography | analog \/tool<\/figcaption><\/figure>\n\n\n\n
\"\"
Exhibition | sisei at HAITSU <\/figcaption><\/figure>\n\n\n\n
\"\"
Rachi\u2019s work space at home where he spends much of his time<\/figcaption><\/figure>\n\n\n\n

\u2014 What kind of pictures do you take outside work?<\/strong><\/p>\n\n\n\n

I try not to tweak the object or the situation too much. Instead, I strive to capture what is there, as is, from the position of the photographer who just happens to be present. In theory, that\u2019s the most natural state. The more I attempt to finetune, the more something will end up feeling out of place. A lot of work goes on behind the scenes to achieve this state of naturalness, mind you. Once I had set my mind on following this style, I\u2019ve found that I shoot much less frequently and take much fewer pictures, but that\u2019s okay too. Sometimes I like to work under artistic constraints, but only for the purpose of training. I need to try out the opposite style to maintain a balance, you know. I feel that\u2019s important for my career ahead\u2014observing a sense of distance with my photographs.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u2014 What is your next area of interest, or what would you like to try in the future?<\/strong><\/p>\n\n\n\n

I hope to continue taking pictures as a medium of communication, and to this end, I\u2019d like to set up a home studio-type of space for creation. A community is as attractive as the people in it\u2014I\u2019ve had this belief since my twenties and consistently striven to be a curiously attractive person myself. What could be more enriching than a community of curiously attractive people inspiring and exchanging positive stimulation with one another?<\/p>\n\n\n\n



<\/p>\n\n\n\n

Shinya Rachi<\/strong>
Shinya Rachi was born in 1986 in Shizuoka. He focuses on collecting images of objects and situations that are trying to keep balance or that are being kept in balance. He took up photography around 2009, and having continued to take picture after picture, has been on the verge of a successful career ever since.
www.rachishinya.com<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

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